A Little Promotion For A Really Big Project

You may not know who Steuart Pittman is, but let me introduce you.  He owns and runs his family's farm, Dodon Farm, which dates back to the 18th or 19th century.  But today, not only does it produce eventing Thoroughbreds, it's also stands Steuart's amazing Jockey Club Throughbred stallion, Salute the Truth, who took Steuart to the advanced level and is highly sought after by mare owners across the country for his propensity to pass on incredible bone and athletic talent to his progeny.  His website also has a great series of essays on, well, just about anything.  I dare you to click "Steuart Says!"

But while all that is great in and of itself, that's not what I'm really here to talk about.  You see, Steuart is passionate about the off-the-track Thoroughbred and is a major force working to promote these horses for second careers in sport, as he is more than familiar with their heart, agility, intelligence, and try.  I HIGHLY encourage you to take the time to read a paper he put together for the National Throughbred Racing Association on expanding the ex-racehorse market.  He and his wife (Sorry, Erin, if I got that wrong, but I'm going to go with that) have started an incredible force in motion.  Titled, "The Retired Racehorse Training Project," it creates a place where owners and buyers can search bloodlines of horses competing today for trends (enter YOUR TB in the Bloodline Brag, I put Encore in there!), where people can contact trainers who work with the OTTB, and where, perhaps most fun of all, you can follow the "RRTP Trainer Challenge." 

Much like the Mustang Makeover, this challenge takes four horses, fresh from the track, and pairs them with three trainers:  Eric Dierks, Terry Blackmer and Tiffany Catledge.  They have just chosen their horses from the pool late last week and from the drop down menu on the RRTP page under "Programs," you can follow the blog of each one as they bring these horses along.  Each horse will be for sale at the end of the challenge, which lasts five weeks. 

Steuart designed the program to be a showcase for the OTTB and to educate the public about just how wonderful these horses can be.  They are not bolting, spooking, fire-breathing dragons, fit for only the hardiest pro.  They are often, in fact, kind, willing horses who go on to perform with all their heart as amateur hunters, eventers, dressage horses, and even western and trail horses. 

So I encourage you to go check it out and follow along -- I can't wait to read more from each trainer and see how each horse develops in what, to them, in a whole new world.

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Up Down Up Down Up Down

I am thinking hard about transitions right now.  They are the key to so many things and can also reveal all of your weaknesses in one step.  Maintaining contact, keeping your horse's energy coming forward and through the transition, bringing his hocks underneath him, all of these things are incredibly difficult to package and deliver at exactly the right moment.

I wanted to share with you some passages I have been reading and re-reading from Dressage in Harmony, by Walter Zettl (an excellent book by the way, and not terribly expensive).  He has great sympathy for the horse and stresses fairness and patience above all else.  He is a Czech trained in Germany under Col. Aust, a master of German classical dressage.  After coaching many successful students in Munich for decades, he became the Canadian eventing coach for the 1984 LA Olympics.  In this book, he makes some vital points to ponder (excerpts in italics).

The stages of any upward transition:
Preparation through improvement of the lower gait, a clearly given signal, and then allowing the horse to move freely into the new gait.

From walk to trot:
First, the walk must be engaged enough so that at any point the rider is condfident that the next step can be a trot step...The transition can only be as good as the walk before it. Every gait should be ridden not for itself, but as preparation for the next transition...The key problem is to give forward with the hand without losing the contact...If the rider gives with the reins too much, the horse can fall onto the forehand or raise up the head and hollow the back.

From trot to walk:
The downward transitions are always more difficult, because the rider...thinks he must pull back to get the downward transition. In fact, in the moment when the rider is closing and holding with the hand for the half halt, he must already be thinking of giving, and riding his horse forward into the walk. After the transition, the rider should keep the horse on the aids in the walk so that he could immediately ride a transition back to trot...As in all of riding, the rider must constantly change between active and passive aids: active when the horse tries to escape the aids and immediately passive to show the horse everything is OK.

Walk to Halt to Walk:
The weight aids for the halt are often misunderstood. Lowering of the heels brings the correct amount of weight into the horse's back in the correct, vertical position. Leaning back drives the seat into the saddle too much and sends the horse forward because of the pain the horse feels in his back...One should not expect that the horse will come to an immediate, perfect halt...Never lose the patience. When the horse comes to a very good halt, the rider should praise the horse so the horse knows he did well. One should praise the horse a lot.
One often sees riders fooling around with the hands, both at the halt, and through the transition. When the rider tries to keep the horse round at the halt with too much hand than a correct transition is not possible--the horse is afraid to go freely forward because he expects to get holding aids in his mouth.

Trot to Canter:
The preparation for the canter depart...holds the secret for success. The quieter and softer the depart, the quieter and softer the horse will stay in the canter. A wrong lead, aids given in the wrong moment, or aids given too strongly are the most common mistakes. 

When asking for the canter from the trot, the rider should collect the trot very slightly--almost unnoticeably. The correct moment for the depart is when the outside shoulder goes forward. The reins should not be thrown away. As soon as the horse lifts himself into the canter, the rider needs to let the stride out with the hand slightly. Through the forward driving aids of the seat and leg, the rider brings the canter strides into a steady flow. Each stride of the canter should be ridden as if it is a new departure stride.

I'm going to keep reading. And re-reading. And reading again. There is so much contained in these passages and the paragraphs around them to think about and to process. I visualize my body doing each thing, sitting calmly centered and creating a shape for my horse to fill. Now we just need to add smidge more patience.....

What do you think? What do you read in these passages? Revalations? Old hat? Blindingly obvious? Complete insanity? Are there pieces you would like to add to your schooling or things you can adapt to the peculiarities of your horse? Share your impressions, I have been reading and absorbing like an obsessed little sponge lately and I've not filled up yet!

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We Won Stuff!

As my sidebar declares, I am very proud to be a member of the USEA Area II Adult Rider Program.  You should go and join yours today -- not only do you stay abreast of clinics, horses for sale in the "network," and reports of the most recent horse trials, you meet wonderful, generous, knowledgeable people who are just as crazy about this sport as you are!  I can tell you without a doubt, Solo and I would not have had some of the opportunities we did without the support and generosity of this group.

This past Saturday was our Area II Annual Meeting in Virginia.  Sadly, there was no room in my budget to go and I was sorry to miss it, because I drove up with a neighbour last year and learned a great deal.  Also at the meeting is our Annual Awards Luncheon, although I have not been to that because it is also out of my budget range.  BUT, the point is, our Adult Riders group gives out a host of awards every year that are not based on racking up competitive points, but instead on contributions to the group and to the sport.  Started by eventer Yvonne Lucas of Red Moon Farm and honouring our smurf heritage inspired by Captain Mark Phillips distaste for the adult amateur rider, which we adopted with great pride, these awards single out eventers with heart!

Now I never win anything.  I am not that person.  I'm a very good clapper though.  So just imagine my surprise when one of my fellow Adult Riders informed me....

I had won the Indian Smurf award, for "great personal strength against adversity, showing toughness, heart, and perseverance!"  I admit, I remain slightly bemused that I won the award for bad things happening to you, it truly could be no other way!

But that was not enough excitement, because I was also named...

Area II Adult Rider Member of the Year!

I am floored, stunned, honoured, and frankly terrified that I have so much to live up to!

I don't feel like these awards are really for me though.  Because I would be nothing and nowhere without Solo, who, even as we crashed to the bottom of the heap, believed in me and never stopped greeting me at the door with that look that forever connects us.  The word "partner" cannot even encompass what he has been to me and cannot describe the strength of spirit and forgiveness and patience he continues to offer me.

And my world would be darker indeed without the bright hope that Encore brought into my life.  We are certainly a work in progress, but if he will just bear with me, I think we can have a lot of fun together.

So it is really the horses.  It is always the horses.  The reason for trying, the air to keep breathing, the passion to tackle the next course.

To Solo & Encore & to all our partners who do more for us than we can say, as well as to my fellow Adult Riders who nominated and supported me...

Thank you.

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Don't Forget To Not Ride

I spent this evening in the aisle with Encore.  A mild rain tap-tap-tapped the metal roof as I ran my hands over his neck, back, and hindquarters, seeking out knots and tension to ease away.  Each time my thumbs dug into a hard burl of muscle, Encore's lower lip quivered and his head dropped lower...and lower...and lower.  He licked his lips and sighed in thanks.


Remember that our partners are athletes.  It is hard work, especially as they are building muscle, learning new skills, and adjusting their bodies to sport.  Tendon, muscle, and joint each need time to rest and recover from micro-injury and stress.  It is our responsibility to respect that need and to ensure that we are not asking our horses to work in pain or discomfort.

We finished with some carrot stretches to each side -- I make him stretch his nose at least to his flank (no cheating and moving his feet!) in each direction, which was very difficult for him a few months ago, so we have progress.  Upon recheck, his back muscles are softer, his withers no longer sore and the knots in his neck are smaller.  It's a continuous process, but one I need to be sure not to forget in the race to have a better ride.  Happy body = happy horse.  Happy horse = happy me.  It's that simple. 

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Encore Furthers His Jumping Education

As projected, Encore and I did indeed meet with David on Saturday; Encore's first stadium jumping lesson and his introduction to David's "death circles" of warmup (they only make the rider want to die, not the horse).  My tired brain will attempt to share it with you.  I offer no guarantees of lucidity.

The wind was icy cold, the high temperature of the day was 42 degrees, and the Canada geese next door splashed in the pond at the end of the arena.  Encore took all this as an invitation to try out his new "I iz STRONG pony" routine on a very tired me.  Thanks, buddy.  Nothing impresses your trainer quite like panting like an asthmatic grandmother on a stairmaster.

Encore's big brother demonstrates bend.

Despite his antics, David seemed to remain thrilled with my little brown boy and reinforced that I had been working in the right direction.  Establishing a steady contact on the outside rein on the warmup circle, we used inside flexion, moving the bit in his mouth to soften his jaw, at which Encore obligingly (at least most of the time) came round at the trot.  If he starts cocking his head, don't forget to use your outside rein to straighten his head on his neck, keeping it all in line, even counterbending a little so that he can't brace against your hand.   

Walk/trot/walk/trot transitions in quick succession, which we have begun to introduce at home recently, making sure he stayed soft through the transition, prepared us for canter.

David made the observation that I really needed to stay off his back at the canter and to focus on working that way for a while, as Encore learns to lift his back at that gait.  He reassured me that it is very normal for the racehorses to remain uneven behind for quite some time, which put my mind at rest a bit on that count.

Once we began jumping, Encore got much stronger than I am accostomed to!  Whether it was weather or excitement or both, my shoulders got tired in a hurry!  But it was gratifying to see my work at home paying off -- he felt comfortable finding his distances on his own and he skipped through a mini gymnastic without a hiccup. 

Because Encore was getting heavy in the bridle, perhaps because his young muscles were beginning to tire, David had me just lift the inside corner of the bit on the long side for one step to lift his shoulder and then half-halt and then lift his poll and release as we turned to the jump.  Result:  immediate shift in balance, bringing him up in front of my leg, where I could then soften and wait for the jump to come to us. 

Both David and I had a smile at the end; there were some lovely sections of rhythm and nice jumps.  Encore came calmly forward to every fence and jumped well up to about 2'9".  He is not as naturally round a jumper as Solo, but he feels already like he will be much more comfortable with height than Mr. Shiny ever was. 

Now, if anyone has suggestions on how to convince Encore that he no longer needs to transition to canter as if he is leaping from the starting gate, I am ALL ears...

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